Events
Mozart’s Thematic Catalogue Exposed as a Forgery
A groundbreaking forensic analysis reveals that Mozart’s thematic catalogue, long thought to be his own work, is a posthumous forgery. This discovery, detailed in Mozart: The Construction of a Genius, turns centuries of Mozart scholarship on its head, demanding a re-examination of his legacy.
Bologna Connections
Quirino Gasparini’s rediscovered Mitridate aria takes centre stage in Bern and Basel, shedding light on Mozart’s reliance on this forgotten composer.
International Traetta Award
We are thrilled to announce that the 14th International Traetta Award has been bestowed upon Anna Trombetta and Luca Bianchini. This prestigious recognition honours their outstanding dedication to musicological research on primary sources of the European musical repertoire, offering significant contributions to reshaping the historiography of 18th-century music.
Unveiling the Truth Behind Mozart’s Thematic Catalogue
Anna Trombetta, Professor Martin W. B. Jarvis from Charles Darwin University, and Luca Bianchini, have published a peer-reviewed article titled Unveiling a New Sophisticated Ink Analysis Technique, and Digital Image Processing: A Forensic Examination of Mozart’s Thematic Catalogue. This research, which underwent an extensive double-blind peer review, has appeared in a journal that serves as a global reference point for forensic document examiners and court specialists.
Australian Scholars Confirm Our Findings on Mozart’s Forged Catalogue
Professor Martin Jarvis of Darwin University confirmed our long-held findings that Mozart’s personal catalogue is a forgery, during his recent lecture The Mozart Scam. Forensic analysis continues to unravel the myths surrounding Mozart’s legacy.
A Revolutionary Encounter at Cremona Musica
Sharing insights on Mozart and the Neapolitan school at Cremona Musica, the premier global stage for music and culture.
The Mozart Question
In this revealing interview, we delve into the lesser-known aspects of Wolfgang Amadeus Mozart’s life, challenging the long-standing myth of his genius. A Swedish journalist explores how Mozart’s legacy has been shaped and manipulated over time, shedding light on the crucial role played by his father, Leopold, in crafting the career of the famed composer.
The Return of Gatti’s Aria
In the magnificent Max Joseph Hall of the Residenz München, tenor Daniel Behle performed the aria “Puoi vantar le tue ritorte” by Luigi Gatti, taken from his opera Nitteti. This concertante piece, for which we composed the cadenzas, was brought to life by the Salzburger Hofmusik orchestra under the direction of Wolfgang Brunner.
Quirino Gasparini’s Music Performed for the First Time
For the first time in modern history, Quirino Gasparini’s music has been performed. This concert, featuring arias from Mitridate and Beethoven’s Seventh Symphony, was conducted by Maestro Leonardo Muzii, with soprano Anastasiia Petrova.
Teaching Mozart at Bocconi University
We delivered a four-hour lecture on Mozart at Bocconi University, showcasing unpublished music by Gasparini, Gatti, and Tozzi while comparing textual and musical treatment with Mozart’s works. Unseen variants from Le Nozze di Figaro were also revealed.
New Revelations About Mozart at the Évora Forensic Conference
At the Évora Forensic Conference, new research confirmed that both Mozart’s personal catalogue and the signatures on his violin concertos are forgeries, challenging long-held beliefs.
Modern Premieres at Bayreuth
The modern premieres of Antonio Tozzi, Luigi Gatti, and Tommaso Traetta’s works at Bayreuth brought long-overlooked Italian composers back into the spotlight. These performances, transcribed and revised by Luca Bianchini and Anna Trombetta, have restored the place of these remarkable composers in music history.