Behind the glittering performances of young Wolfgang and Nannerl Mozart lay the meticulous guidance of their father, Leopold. Often considered a mere teacher, Leopold’s role in composing and shaping their early musical successes has been largely overlooked. Was the child prodigy truly a genius, or was it Leopold who orchestrated his son’s rise to fame?

The image of Mozart as a Romantic-era virtuoso is a misleading anachronism, fuelled by 19th-century propaganda. Wolfgang was no transcendental pianist, but a product of an era where music was more galant than heroic.

The myth of Mozart’s genius is nothing more than a carefully crafted illusion, propped up by misplaced attributions and romanticised biographies. Behind his so-called brilliance lies the reality of his father’s dominating influence and a lack of formal education.

The story of the young Mozart’s so-called triumphs at the courts of Europe is a tale riddled with embellishments, half-truths, and fabrications—many courtesy of Leopold Mozart himself and those who later sought to mythologize his son. One such example is the visit to Munich on 12 January 1762.