the deconstruction of a myth
Mozart in Reverse
In the introduction to Mozart’s biography, penned by Constanze Mozart’s second husband, Nissen, it is surprisingly asserted that it’s preferable to conceal the truth, lest Mozart’s image be tarnished.
One does not want, nor can one publicly show their hero as he presented himself in the shadow of privacy; if he could be questioned, he himself would hardly admit it. He was and remains the master of his words, which he could have left unwritten and which he only wrote for the person with whom he wanted to confide. He had weaknesses, shortcomings, which he partly improved later and which one will not have the occasion to reveal. Through the whole truth, his fame, his esteem, and the impression of his works may be damaged.
Ultimately, we don’t believe in hiding the truth, and so we let the primary sources speak.
Who We Are
MozartrazoM is a project by musicologists Luca Bianchini and Anna Trombetta.
The site aims to challenge the traditional narratives surrounding Mozart and his family, offering a critical and often controversial perspective that contrasts with the mainstream glorification of the composer.
In addition, these pages also host some of the finest musicological and critical contributions from other authors who refuse to tell fairy tales and are dedicated to seeking the truth by rigorously investigating the sources.
L.Bianchini & A.Trombetta
Latest Articles
The Nationalistic Roots of the Philharmonic Legacy
Under Goebbels, the Berliner Philharmoniker became an instrument of Nazi propaganda, framing German composers as the supreme guardians of musical heritage.
The Italian Journey
The Mozarts’ Italian journey of 1769 was not a leisurely Grand Tour but a strategic mission driven by ambition, navigating the treacherous roads of 18th-century Europe in pursuit of fame and fortune.
Mozart’s Music or Marketing Strategy?
Despite Köchel’s best intentions, his catalogue of Mozart’s works became a commercial tool, filled with questionable pieces added by publishers keen on profit rather than accuracy.
#1 A Man of Cunning
In the end, Leopold Mozart’s life was a testament to survival in a world where his talents were often overshadowed by those of his more gifted contemporaries and his own son. While his “Violinschule” remains a notable contribution to music pedagogy, it is clear that Leopold’s legacy is as much about his ability to navigate the challenges of his time as it is about his musical achievements. His story is one of ambition, adaptation, and the lengths to which one man would go to secure his place in history, even if that place was built on borrowed foundations.
@MozartrazoM
Mozart’s Letters: A Legacy of Disappearances, Edits, and Forgeries
Mozart’s letters reveal missing originals, questionable authorship, and forgeries, adding complexity to his legacy.
The Curious Case of Mozart’s “Lullaby”
Though long credited to Mozart, the lullaby “Schlafe mein Prinzchen, schlaf ein” hides a murky history. Initially published by Nissen, Constanze’s second husband, it has endured as one of Mozart’s supposed works—despite a trail of doubts. In 1798, Constanze herself noted sending “another piece of Mozart’s in place of the lullaby,” raising questions about its origins. By the 20th century, researchers revealed it as the work of lesser-known composers, yet it remains deceptively tied to Mozart, its myth surviving through mere footnotes.
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In the Spotlight
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What Experts Say
Martin Jarvis
professor
I am delighted that our research has provided evidence to support the proposition, made by Luca Bianchini and Anna Trombetta, that the Thematic Catalogue is not what it purports to be; we have concluded that it is a counterfeit document.
Alberto Basso
musicologist
In this field, driven by the enthusiasm of those who explore new worlds and are aware of the uncommon value of their work, the discoverers of that score, Anna Trombetta and Luca Bianchini, embarked on a broad-ranging research journey.
Edoardo Catemario
concert artist
With Mozart: The Fall of the Gods, you have completely changed my way of thinking
Roberto Piana
professor
What a fantastic evening! I was once again impressed by the deep expertise of Luca Bianchini and Anna Trombetta, and by their remarkable ability to clarify and simplify some of the most delicate and complex aspects of the Mozart story.
Roberto Piana
professor
I consider Bianchini and Trombetta among the most skilled and courageous truth-seekers in the field.

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