the deconstruction of a myth
Mozart in Reverse
In the introduction to Mozart’s biography, penned by Constanze Mozart’s second husband, Nissen, it is surprisingly asserted that it’s preferable to conceal the truth, lest Mozart’s image be tarnished.
One does not want, nor can one publicly show their hero as he presented himself in the shadow of privacy; if he could be questioned, he himself would hardly admit it. He was and remains the master of his words, which he could have left unwritten and which he only wrote for the person with whom he wanted to confide. He had weaknesses, shortcomings, which he partly improved later and which one will not have the occasion to reveal. Through the whole truth, his fame, his esteem, and the impression of his works may be damaged.
Ultimately, we don’t believe in hiding the truth, and so we let the primary sources speak.
Who We Are
MozartrazoM is a project by musicologists Luca Bianchini and Anna Trombetta.
The site aims to challenge the traditional narratives surrounding Mozart and his family, offering a critical and often controversial perspective that contrasts with the mainstream glorification of the composer.
In addition, these pages also host some of the finest musicological and critical contributions from other authors who refuse to tell fairy tales and are dedicated to seeking the truth by rigorously investigating the sources.
L.Bianchini & A.Trombetta
Latest Articles
Georg Nissen and the Missing Notebooks – Part II
This second part delves deeper into Georg Nissen’s scheme to expose the truth about Mozart’s death, and the roles of Constanze Mozart and her sons in keeping it buried. As new details emerge, the mystery surrounding the famous composer’s final days grows even darker, with powerful forces potentially at play.
Mozart and Salieri
Pushkin does not see Salieri as a mere mediocre. In fact, Salieri embodies the struggle of the artist, much like Michelangelo, who reaches greatness through relentless effort. Pushkin himself identifies with both Mozart and Salieri, but he emphasises that true art demands work, discipline, and sacrifice. In poisoning the Mozartian element within himself, Salieri performs a service to art, freeing it from the frivolity of effortless genius. ‘Can genius and malice coexist?’ Pushkin’s answer is complex, but in the end, Salieri’s act seems to affirm that true creation lies in the hands of those who strive.
The Fabrication of Genius
Leopold Mozart’s tireless efforts to promote his son Wolfgang as a child prodigy were rooted in manipulation, exaggeration, and a relentless drive for social success. Far from being a miraculous genius, Wolfgang was pushed into the spotlight by his father, whose grandiose claims often obscured the reality of his son’s abilities.
The Myth of Mozart
A critical examination of Wolfgang Amadeus Mozart’s life reveals a man shaped more by his father’s ambitions than by innate genius. Stripped of the myths, Mozart’s early years reflect a childhood dominated by relentless touring, inconsistent education, and a legacy built on exaggerated achievements. Discover the real story behind the legend.
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In the Spotlight
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What Experts Say
Martin Jarvis
professor
I am delighted that our research has provided evidence to support the proposition, made by Luca Bianchini and Anna Trombetta, that the Thematic Catalogue is not what it purports to be; we have concluded that it is a counterfeit document.
Alberto Basso
musicologist
In this field, driven by the enthusiasm of those who explore new worlds and are aware of the uncommon value of their work, the discoverers of that score, Anna Trombetta and Luca Bianchini, embarked on a broad-ranging research journey.
Edoardo Catemario
concert artist
With Mozart: The Fall of the Gods, you have completely changed my way of thinking
Roberto Piana
professor
What a fantastic evening! I was once again impressed by the deep expertise of Luca Bianchini and Anna Trombetta, and by their remarkable ability to clarify and simplify some of the most delicate and complex aspects of the Mozart story.
Roberto Piana
professor
I consider Bianchini and Trombetta among the most skilled and courageous truth-seekers in the field.

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