the deconstruction of a myth
Mozart in Reverse
In the introduction to Mozart’s biography, penned by Constanze Mozart’s second husband, Nissen, it is surprisingly asserted that it’s preferable to conceal the truth, lest Mozart’s image be tarnished.
One does not want, nor can one publicly show their hero as he presented himself in the shadow of privacy; if he could be questioned, he himself would hardly admit it. He was and remains the master of his words, which he could have left unwritten and which he only wrote for the person with whom he wanted to confide. He had weaknesses, shortcomings, which he partly improved later and which one will not have the occasion to reveal. Through the whole truth, his fame, his esteem, and the impression of his works may be damaged.
Ultimately, we don’t believe in hiding the truth, and so we let the primary sources speak.
Who We Are
MozartrazoM is a project by musicologists Luca Bianchini and Anna Trombetta.
The site aims to challenge the traditional narratives surrounding Mozart and his family, offering a critical and often controversial perspective that contrasts with the mainstream glorification of the composer.
In addition, these pages also host some of the finest musicological and critical contributions from other authors who refuse to tell fairy tales and are dedicated to seeking the truth by rigorously investigating the sources.
L.Bianchini & A.Trombetta
Latest Articles
Leopold’s Invisible Hand
Behind the glittering performances of young Wolfgang and Nannerl Mozart lay the meticulous guidance of their father, Leopold. Often considered a mere teacher, Leopold’s role in composing and shaping their early musical successes has been largely overlooked. Was the child prodigy truly a genius, or was it Leopold who orchestrated his son’s rise to fame?
The Mozart Question
In this revealing interview, we delve into the lesser-known aspects of Wolfgang Amadeus Mozart’s life, challenging the long-standing myth of his genius. A Swedish journalist explores how Mozart’s legacy has been shaped and manipulated over time, shedding light on the crucial role played by his father, Leopold, in crafting the career of the famed composer.
The Unveiling of Symphony K.16
The Symphony No. 1 in E-flat major, K.16, attributed to young Wolfgang Mozart, reveals the complex truth behind his early compositions. Far from the prodigious work of an eight-year-old, it is instead a product of substantial parental intervention and musical simplification.
The London Notebook
The London Notebook exposes the limitations of young Mozart’s compositional skills and questions the myth of his early genius. His simplistic pieces, fraught with errors, reveal a child still grappling with fundamental musical concepts.
The Fabrication of Genius
Leopold Mozart’s tireless efforts to promote his son Wolfgang as a child prodigy were rooted in manipulation, exaggeration, and a relentless drive for social success. Far from being a miraculous genius, Wolfgang was pushed into the spotlight by his father, whose grandiose claims often obscured the reality of his son’s abilities.
International Traetta Award
We are thrilled to announce that the 14th International Traetta Award has been bestowed upon Anna Trombetta and Luca Bianchini. This prestigious recognition honours their outstanding dedication to musicological research on primary sources of the European musical repertoire, offering significant contributions to reshaping the historiography of 18th-century music.
Events
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In the Spotlight
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What Experts Say
Roberto Piana
professor
What a fantastic evening! I was once again impressed by the deep expertise of Luca Bianchini and Anna Trombetta, and by their remarkable ability to clarify and simplify some of the most delicate and complex aspects of the Mozart story.
Alberto Basso
musicologist
In this field, driven by the enthusiasm of those who explore new worlds and are aware of the uncommon value of their work, the discoverers of that score, Anna Trombetta and Luca Bianchini, embarked on a broad-ranging research journey.
Edoardo Catemario
Concert Artist
With Mozart: The Fall of the Gods, you have completely changed my way of thinking
Roberto Piana
professor
I consider Bianchini and Trombetta among the most skilled and courageous truth-seekers in the field.
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