the deconstruction of a myth
Mozart in Reverse
In the introduction to Mozart’s biography, penned by Constanze Mozart’s second husband, Nissen, it is surprisingly asserted that it’s preferable to conceal the truth, lest Mozart’s image be tarnished.
One does not want, nor can one publicly show their hero as he presented himself in the shadow of privacy; if he could be questioned, he himself would hardly admit it. He was and remains the master of his words, which he could have left unwritten and which he only wrote for the person with whom he wanted to confide. He had weaknesses, shortcomings, which he partly improved later and which one will not have the occasion to reveal. Through the whole truth, his fame, his esteem, and the impression of his works may be damaged.
Ultimately, we don’t believe in hiding the truth, and so we let the primary sources speak.
Who We Are
MozartrazoM is a project by musicologists Luca Bianchini and Anna Trombetta.
The site aims to challenge the traditional narratives surrounding Mozart and his family, offering a critical and often controversial perspective that contrasts with the mainstream glorification of the composer.
In addition, these pages also host some of the finest musicological and critical contributions from other authors who refuse to tell fairy tales and are dedicated to seeking the truth by rigorously investigating the sources.
L.Bianchini & A.Trombetta
Our Books
With a meticulous approach, these books delve deep into investigation, rejecting hearsay. Sources are meticulously verified and critically examined, particularly primary sources, which undergo rigorous scrutiny and evaluation.
Latest Articles
Explore the flaws, contradictions, and lesser-known truths behind one of history’s most celebrated composers.
When the Myth Collapsed
Vienna exposed the myth: La Finta semplice was riddled with errors, and Wolfgang’s supposed opera genius was nothing more than Leopold’s fabrication. With their reputation in ruins, father and son turned to Italy, hoping to rewrite history.
The London Notebook and the Vienna Disaster
Far from the myth of a flawless young genius, Mozart’s London Notebook reveals musical struggles and guided exercises, while the Vienna opera disaster proved that his father played a far greater role in his compositions than legend would have us believe.
Versailles, Vanity, and the Pursuit of Prestige
Leopold Mozart’s letters transformed his son’s European tour into a carefully staged fantasy—filled with exaggerated encounters, fabricated royal admiration, and a relentless pursuit of social prestige. But how much of it was real?
The Fabricated Childhood of Mozart
The legend of young Mozart’s divine genius crumbles under scrutiny, revealing a childhood dictated by Leopold’s ambition, carefully constructed myths, and a relentless pursuit of fame at the expense of genuine artistic education.
The Man Behind the Myth
Leopold Mozart’s legacy has been shaped by myths and hagiographies, but his letters reveal a man more concerned with financial gain and self-promotion than artistic integrity. Was he truly a devoted father, or simply an opportunist?
Constanze vs. The Catholic Church
For over two centuries, scholars have debated the circumstances surrounding Mozart’s burial. Constanze Mozart’s supposed inability to mark his grave, the confrontation with the Catholic Church over funeral masses, and the baffling disappearance of Mozart’s body all contribute to a mystery stranger than fiction. Did a powerful group keep her silent? And what really happened to Mozart’s remains?
Events
Discover the latest interviews, talks, and behind-the-scenes insights into the untold story of Mozart.
Quirino Gasparini’s Music Performed for the First Time
For the first time in modern history, Quirino Gasparini’s music has been performed. This concert, featuring arias from Mitridate and Beethoven’s Seventh Symphony, was conducted by Maestro Leonardo Muzii, with soprano Anastasiia Petrova.
Teaching Mozart at Bocconi University
We delivered a four-hour lecture on Mozart at Bocconi University, showcasing unpublished music by Gasparini, Gatti, and Tozzi while comparing textual and musical treatment with Mozart’s works. Unseen variants from Le Nozze di Figaro were also revealed.
New Revelations About Mozart at the Évora Forensic Conference
At the Évora Forensic Conference, new research confirmed that both Mozart’s personal catalogue and the signatures on his violin concertos are forgeries, challenging long-held beliefs.
Modern Premieres at Bayreuth
The modern premieres of Antonio Tozzi, Luigi Gatti, and Tommaso Traetta’s works at Bayreuth brought long-overlooked Italian composers back into the spotlight. These performances, transcribed and revised by Luca Bianchini and Anna Trombetta, have restored the place of these remarkable composers in music history.
Luchesi’s Concerto Revived at Milan’s Sala Verdi
A standing ovation followed the performance of our revised edition of Luchesi’s Concerto in F for piano and strings at the Sala Verdi in Milan, conducted by Maestro Giorgio Rodolfo Marini and performed by the Insubria Chamber Orchestra.
A Modern Premiere in Germany
Giovanni Pacini’s Medea, revised by Luca Bianchini and Anna Trombetta, made its modern premiere in Germany at the Theater für Niedersachsen. This monumental work was performed in full, marking a triumphant revival of Pacini’s forgotten genius.
Mozart Unveiled on Radio Vaticana
Experience the power of critical musicology as Luca Bianchini and Anna Trombetta present their groundbreaking insights on Mozart’s legacy on the prestigious Radio Vaticana. Each episode unveils secrets and challenges the myths surrounding this celebrated composer.
In the Spotlight
Are you ready to meet the real Mozart? Our videos, like our posts, will take you on a journey of discovery
into his life and works, without censorship or idealisation.
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What Experts Say
Martin Jarvis
professor
I am delighted that our research has provided evidence to support the proposition, made by Luca Bianchini and Anna Trombetta, that the Thematic Catalogue is not what it purports to be; we have concluded that it is a counterfeit document.
Alberto Basso
musicologist
In this field, driven by the enthusiasm of those who explore new worlds and are aware of the uncommon value of their work, the discoverers of that score, Anna Trombetta and Luca Bianchini, embarked on a broad-ranging research journey.
Edoardo Catemario
concert artist
With Mozart: The Fall of the Gods, you have completely changed my way of thinking
Roberto Piana
professor
What a fantastic evening! I was once again impressed by the deep expertise of Luca Bianchini and Anna Trombetta, and by their remarkable ability to clarify and simplify some of the most delicate and complex aspects of the Mozart story.
Roberto Piana
professor
I consider Bianchini and Trombetta among the most skilled and courageous truth-seekers in the field.
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