the deconstruction of a myth
Mozart in Reverse
In the introduction to Mozart’s biography, penned by Constanze Mozart’s second husband, Nissen, it is surprisingly asserted that it’s preferable to conceal the truth, lest Mozart’s image be tarnished.
One does not want, nor can one publicly show their hero as he presented himself in the shadow of privacy; if he could be questioned, he himself would hardly admit it. He was and remains the master of his words, which he could have left unwritten and which he only wrote for the person with whom he wanted to confide. He had weaknesses, shortcomings, which he partly improved later and which one will not have the occasion to reveal. Through the whole truth, his fame, his esteem, and the impression of his works may be damaged.
Ultimately, we don’t believe in hiding the truth, and so we let the primary sources speak.
Who We Are
MozartrazoM is a project by musicologists Luca Bianchini and Anna Trombetta.
The site aims to challenge the traditional narratives surrounding Mozart and his family, offering a critical and often controversial perspective that contrasts with the mainstream glorification of the composer.
In addition, these pages also host some of the finest musicological and critical contributions from other authors who refuse to tell fairy tales and are dedicated to seeking the truth by rigorously investigating the sources.
L.Bianchini & A.Trombetta
Our Books
With a meticulous approach, these books delve deep into investigation, rejecting hearsay. Sources are meticulously verified and critically examined, particularly primary sources, which undergo rigorous scrutiny and evaluation.
Latest Articles
Explore the flaws, contradictions, and lesser-known truths behind one of history’s most celebrated composers.
The Myth of Mozart’s Education
For centuries, Wolfgang Amadeus Mozart has been celebrated as a musical prodigy, effortlessly composing masterpieces from a young age. However, when we peel back the layers of myth surrounding his early education, a different picture emerges—one in which his father, Leopold Mozart, plays a far more controlling and influential role than is often acknowledged. This article explores the true nature of Mozart’s education, examining how much of his early works can be attributed to his own genius, and how much was the product of his father’s meticulous and often self-serving guidance. Was Wolfgang’s brilliance entirely his own, or was it a crafted image designed by Leopold?
The Myth of Mozart’s Childhood
Mozart’s childhood is often romanticised, but behind the myth lies a more complex reality. This post explores the hidden dynamics within his family, questioning the traditional narrative of Mozart's early years and shedding light on the forgotten role of his sister,...
Bohemia or Moravia: Reconfiguring Music History
Why does music history insist on an Austrian narrative, when the contributions of other nations are just as crucial?
The True Caregiver: A Closer Look at Mozart’s Final Days
Who truly cared for Mozart in his final days: his wife Constanze or his sister-in-law Sophie? The True Caregiver unravels this age-old mystery, challenging our perceptions and shedding light on the figures closest to the composer in his last hours.
The Mysterious Origins of Mozart’s K.115
The story of Mozart’s Mass K.115 is one of myth and mistaken identity, pointing not to Wolfgang’s genius but rather to his father Leopold’s hidden influence.
Unveiling the Truth: Mozart in Paris
Unveiling the often-overlooked reality of Mozart’s time in Paris reveals a story of manipulation and deception, far removed from the glorified narratives crafted by his father, Leopold.
Events
Discover the latest interviews, talks, and behind-the-scenes insights into the untold story of Mozart.
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In the Spotlight
Are you ready to meet the real Mozart? Our videos, like our posts, will take you on a journey of discovery
into his life and works, without censorship or idealisation.
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What Experts Say
Martin Jarvis
professor
I am delighted that our research has provided evidence to support the proposition, made by Luca Bianchini and Anna Trombetta, that the Thematic Catalogue is not what it purports to be; we have concluded that it is a counterfeit document.
Alberto Basso
musicologist
In this field, driven by the enthusiasm of those who explore new worlds and are aware of the uncommon value of their work, the discoverers of that score, Anna Trombetta and Luca Bianchini, embarked on a broad-ranging research journey.
Edoardo Catemario
concert artist
With Mozart: The Fall of the Gods, you have completely changed my way of thinking
Roberto Piana
professor
What a fantastic evening! I was once again impressed by the deep expertise of Luca Bianchini and Anna Trombetta, and by their remarkable ability to clarify and simplify some of the most delicate and complex aspects of the Mozart story.
Roberto Piana
professor
I consider Bianchini and Trombetta among the most skilled and courageous truth-seekers in the field.
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