The Return of Gatti's Aria

Our Revision Takes the Stage in Munich

In the magnificent Max Joseph Hall of the Residenz München, tenor Daniel Behle performed the aria “Puoi vantar le tue ritorte” by Luigi Gatti, taken from his opera Nitteti. This concertante piece, for which we composed the cadenzas, was brought to life by the Salzburger Hofmusik orchestra under the direction of Wolfgang Brunner.

Mozart: The Fall of the Gods

This book offers a fresh and critical look at the life of Wolfgang Amadeus Mozart, challenging the myths that have surrounded him for centuries. We strip away the romanticised image of the “natural genius” and delve into the contradictions within Mozart’s extensive biographies. Backed by nearly 2,000 meticulously sourced citations, this work invites readers to explore a deeper, more complex understanding of Mozart. Perfect for those who wish to question the traditional narrative, this biography is a must-read for serious music lovers and historians.

"It’s a pleasure to breathe new life into such a powerful, yet overlooked piece of music."

@MozartrazoM

We first introduced this virtuosic and spectacular music in its modern premiere in Bayreuth, where it was met with great enthusiasm. Given its success, we were thrilled to see it performed again in Munich.

Earlier this year, on 24th April, we had the opportunity to discuss this work in detail during our lecture at Bocconi University, explaining the intricate revisions we made to Gatti’s original composition. This marks another exciting milestone in reviving forgotten gems of 18th-century music and bringing them to modern audiences.

You May Also Like

Mozart’s Illusory Triumphs

Mozart’s Illusory Triumphs

Leopold Mozart was a masterful storyteller, ever eager to glorify his children’s achievements, such as the supposed concert at the court of the Prince-Elector of Munich in 1762. Yet, no court records exist to substantiate these claims. In Vienna, despite Schlichtegroll’s embellished tales, Empress Maria Theresa simply referred to them as “beggars,” and the anecdote of young Mozart commanding Wagenseil to turn pages is nothing more than a fanciful fabrication.

The Myth of Mozart’s Education

The Myth of Mozart’s Education

For centuries, Wolfgang Amadeus Mozart has been celebrated as a musical prodigy, effortlessly composing masterpieces from a young age. However, when we peel back the layers of myth surrounding his early education, a different picture emerges—one in which his father, Leopold Mozart, plays a far more controlling and influential role than is often acknowledged. This article explores the true nature of Mozart’s education, examining how much of his early works can be attributed to his own genius, and how much was the product of his father’s meticulous and often self-serving guidance. Was Wolfgang’s brilliance entirely his own, or was it a crafted image designed by Leopold?

The Myth of Mozart’s Childhood

The Myth of Mozart’s Childhood

Mozart’s childhood is often romanticised, but behind the myth lies a more complex reality. This post explores the hidden dynamics within his family, questioning the traditional narrative of Mozart's early years and shedding light on the forgotten role of his sister,...