A Resounding Success

Luchesi’s Concerto Revived at Milan's Sala Verdi

A standing ovation followed the performance of our revised edition of Luchesi’s Concerto in F for piano and strings at the Sala Verdi in Milan, conducted by Maestro Giorgio Rodolfo Marini and performed by the Insubria Chamber Orchestra.

Mozart: The Fall of the Gods

This book offers a fresh and critical look at the life of Wolfgang Amadeus Mozart, challenging the myths that have surrounded him for centuries. We strip away the romanticised image of the “natural genius” and delve into the contradictions within Mozart’s extensive biographies. Backed by nearly 2,000 meticulously sourced citations, this work invites readers to explore a deeper, more complex understanding of Mozart. Perfect for those who wish to question the traditional narrative, this biography is a must-read for serious music lovers and historians.

"Luchesi’s forgotten masterpiece returned to the stage, proving that some of the finest compositions of the Neoclassical period have yet to be fully appreciated."

@MozartrazoM

Recently, at the iconic Sala Verdi of the Milan Conservatory, a remarkable concert featured our revised version of Andrea Luchesi’s Concerto in F for piano and strings. This revival, alongside works by Donizetti, Costantini, and Perosi, was a resounding success, met with enthusiastic applause from an appreciative audience.

Conducted by Maestro Giorgio Rodolfo Marini, and with Maestro Carlo Levi Minzi as the soloist, the performance by the Insubria Chamber Orchestra brought new life to Luchesi’s forgotten masterpiece. The audience was captivated by the elegance and depth of Luchesi’s composition, which, thanks to our careful transcription and revision, revealed a richness that had been overlooked for too long.

This event not only celebrated Luchesi’s contribution to the world of classical music but also demonstrated how important it is to re-evaluate composers who have been unjustly neglected by history. The applause and standing ovations confirmed that this was a long-overdue recognition of Luchesi’s brilliance.

You May Also Like

The Curious Case of Mozart’s “Lullaby”

The Curious Case of Mozart’s “Lullaby”

Though long credited to Mozart, the lullaby “Schlafe mein Prinzchen, schlaf ein” hides a murky history. Initially published by Nissen, Constanze’s second husband, it has endured as one of Mozart’s supposed works—despite a trail of doubts. In 1798, Constanze herself noted sending “another piece of Mozart’s in place of the lullaby,” raising questions about its origins. By the 20th century, researchers revealed it as the work of lesser-known composers, yet it remains deceptively tied to Mozart, its myth surviving through mere footnotes.

Mozart’s Bassoon Concerto: A Question of Authorship

Mozart’s Bassoon Concerto: A Question of Authorship

The Bassoon Concerto K.191 raises more questions than it answers. Long thought to have been composed for a Munich bassoonist, new evidence suggests Mozart had no clear performer in mind. The concerto’s disjointed movements and other dubious compositions attributed to Mozart add further complexity to his legacy

The Contradictions Behind Mozart’s Horn Concerto K.412

The Contradictions Behind Mozart’s Horn Concerto K.412

The authenticity of Mozart’s Horn Concerto K.412 remains hotly debated, as the work bears numerous contradictions in its manuscript history. The first movement may be original, but what about the rest? The inclusion of Franz Xaver Süssmayr and later editorial meddling raises serious questions about what we are really listening to when we hear this ‘Mozart’ concerto.

The Forgotten Viennese Quartets

The Forgotten Viennese Quartets

Attributing Offertorium K.34 to Mozart is not just misleading, it reflects the careless methods used by 19th-century scholars to inflate his legacy. Without an autograph or solid evidence, this work should not be considered part of his output.”

The Questionable Attribution of Mozart’s Offertorium K.34

The Questionable Attribution of Mozart’s Offertorium K.34

Attributing Offertorium K.34 to Mozart is not just misleading, it reflects the careless methods used by 19th-century scholars to inflate his legacy. Without an autograph or solid evidence, this work should not be considered part of his output.”

The Mysterious Case of Mozart’s Duets: An Unfinished Story

The Mysterious Case of Mozart’s Duets: An Unfinished Story

Mozart’s string duets have long been shrouded in mystery, from his father’s heavy influence in 1768 to his supposed act of charity for a dying Michael Haydn in 1783. These unfinished works reveal more about the composer’s life and struggles than they do about his musical genius.