Mozart’s Serenade? A New Discovery? Really?
A Controversial Finding in Leipzig Raises Questions About Mozart’s Authenticity
In Leipzig, what was thought to be a new autograph of Mozart turned out to be a questionable copy. Why are such rushed attributions so common for Mozart, and why is it so hard to correct them when proven false?
Mozart: The Construction of a Genius
This book offers a fresh and critical look at the life of Wolfgang Amadeus Mozart, challenging the myths that have surrounded him for centuries. We strip away the romanticised image of the “natural genius” and delve into the contradictions within Mozart’s extensive biographies. Backed by nearly 2,000 meticulously sourced citations, this work invites readers to explore a deeper, more complex understanding of Mozart. Perfect for those who wish to question the traditional narrative, this biography is a must-read for serious music lovers and historians.
"The trouble with fiction is that it makes too much sense, whereas reality never makes sense."
Aldous Huxley
Did Leipzig really uncover a new autograph of Mozart? Not quite. What they found was a copy, and even its dating is questionable. The discussions I’ve come across seem more like speculation, but repeating them doesn’t make them true.
At first glance, the title page might make you think it’s by Mozart, but the piece was actually written by an anonymous copyist about twenty years later—assuming that theory is even accurate. Looking at the title page, the supposed author is a certain “Wofgang” (without the L!).
How can we trust an attribution when the name itself is misspelled? For all we know, the music could have been written by his sister, his aunt, or perhaps even a close friend of Leopold. Essentially, anyone.
Without an autograph, a date, a place, or even the correct name, it was almost predictable that this would be quickly absorbed into the Köchel catalogue of Mozart’s works as another “authentic” piece. It’s fascinating to see how eagerly such attributions are made, especially for a figure as iconic as Mozart.
There’s never this kind of urgency when a work, once attributed to Mozart, turns out to have been written by someone else. In those cases, the opposite happens. Once a piece enters the catalogue, it rarely gets removed, even when the evidence clearly shows it’s a forgery.
You May Also Like
Leopold’s Invisible Hand
Behind the glittering performances of young Wolfgang and Nannerl Mozart lay the meticulous guidance of their father, Leopold. Often considered a mere teacher, Leopold’s role in composing and shaping their early musical successes has been largely overlooked. Was the child prodigy truly a genius, or was it Leopold who orchestrated his son’s rise to fame?
Georg Nissen and the Missing Notebooks
After Mozart's death, his widow, Constanze, found a steadfast partner in Georg Nikolaus von Nissen, a Danish diplomat who dedicated his life to preserving the composer's legacy. Nissen not only compiled an extensive biography of Mozart but also uncovered and...
The Mozart Question
In this revealing interview, we delve into the lesser-known aspects of Wolfgang Amadeus Mozart’s life, challenging the long-standing myth of his genius. A Swedish journalist explores how Mozart’s legacy has been shaped and manipulated over time, shedding light on the crucial role played by his father, Leopold, in crafting the career of the famed composer.
The Unveiling of Symphony K.16
The Symphony No. 1 in E-flat major, K.16, attributed to young Wolfgang Mozart, reveals the complex truth behind his early compositions. Far from the prodigious work of an eight-year-old, it is instead a product of substantial parental intervention and musical simplification.
The London Notebook
The London Notebook exposes the limitations of young Mozart’s compositional skills and questions the myth of his early genius. His simplistic pieces, fraught with errors, reveal a child still grappling with fundamental musical concepts.
The Fabrication of Genius
Leopold Mozart’s tireless efforts to promote his son Wolfgang as a child prodigy were rooted in manipulation, exaggeration, and a relentless drive for social success. Far from being a miraculous genius, Wolfgang was pushed into the spotlight by his father, whose grandiose claims often obscured the reality of his son’s abilities.