Mozart’s Serenade? A New Discovery? Really?
A Controversial Finding in Leipzig Raises Questions About Mozart’s Authenticity
In Leipzig, what was thought to be a new autograph of Mozart turned out to be a questionable copy. Why are such rushed attributions so common for Mozart, and why is it so hard to correct them when proven false?
Mozart: The Construction of a Genius
This book offers a fresh and critical look at the life of Wolfgang Amadeus Mozart, challenging the myths that have surrounded him for centuries. We strip away the romanticised image of the “natural genius” and delve into the contradictions within Mozart’s extensive biographies. Backed by nearly 2,000 meticulously sourced citations, this work invites readers to explore a deeper, more complex understanding of Mozart. Perfect for those who wish to question the traditional narrative, this biography is a must-read for serious music lovers and historians.
"The trouble with fiction is that it makes too much sense, whereas reality never makes sense."
Aldous Huxley
Did Leipzig really uncover a new autograph of Mozart? Not quite. What they found was a copy, and even its dating is questionable. The discussions I’ve come across seem more like speculation, but repeating them doesn’t make them true.
At first glance, the title page might make you think it’s by Mozart, but the piece was actually written by an anonymous copyist about twenty years later—assuming that theory is even accurate. Looking at the title page, the supposed author is a certain “Wofgang” (without the L!).
How can we trust an attribution when the name itself is misspelled? For all we know, the music could have been written by his sister, his aunt, or perhaps even a close friend of Leopold. Essentially, anyone.
Without an autograph, a date, a place, or even the correct name, it was almost predictable that this would be quickly absorbed into the Köchel catalogue of Mozart’s works as another “authentic” piece. It’s fascinating to see how eagerly such attributions are made, especially for a figure as iconic as Mozart.
There’s never this kind of urgency when a work, once attributed to Mozart, turns out to have been written by someone else. In those cases, the opposite happens. Once a piece enters the catalogue, it rarely gets removed, even when the evidence clearly shows it’s a forgery.
You May Also Like
The Hidden Influence of Joseph Boulogne, Chevalier de Saint-George
Joseph Boulogne, known as the “Black Mozart”, was shaping the future of music while Mozart was still struggling for recognition in Paris. But history has buried the significant influence Saint-George had on Mozart’s career, erasing his pioneering style from the narrative.
Mozart’s Violin Pieces: Substitutes for Failed Movements?
Despite revisions, Mozart’s violin concertos remain flawed, while his minor pieces, K.261 and K.373, surprisingly garner more attention in his correspondence than his major works.
The Questionable Origins of Mozart’s Violin Concertos
Are Mozart’s violin concertos truly original? This article explores the possibility that the Czech composer Josef Mysliveček played a far larger role in their creation than previously acknowledged.
The Kolb Concerto: A Mozartian Mirage?
The Kolb Concerto’s dubious origin and poor musical quality expose yet another myth in the Mozartian canon. If this is the work of a genius, then perhaps we’ve been fooled for centuries.
The Adélaïde Deception: Mozart’s “Lost” Violin Concerto and the Art of Musical Forgery
In the early 20th century, the “discovery” of Mozart’s sixth violin concerto in Paris created a sensation. Dubbed the Adélaïde Concerto and supposedly written for Madame Adélaïde of France, it was hailed as a testament to Mozart’s genius. However, as the story unfolds, it becomes clear that this masterpiece was not the work of the child prodigy but rather a carefully orchestrated hoax by Marius Casadesus. Despite its unmasking as a forgery, the concerto continues to captivate audiences, raising questions about authenticity and the music industry’s willingness to deceive for profit.
The Violin Concertos: Mozart’s Borrowed Genius
Mozart’s violin concertos are often celebrated as masterpieces, but how much of the music is truly his? This article delves into the complexities behind the compositions and challenges the authenticity of some of his most famous works, revealing a story of influence, imitation, and misattribution.