A Modern Premiere
Quirino Gasparini’s Music Performed for the First Time
For the first time in modern history, Quirino Gasparini’s music has been performed. This concert, featuring arias from Mitridate and Beethoven’s Seventh Symphony, was conducted by Maestro Leonardo Muzii, with soprano Anastasiia Petrova.
Mozart in Italy
This book uncovers how Leopold Mozart ruthlessly controlled his son’s early career, focusing on how Mozart’s operatic successes were mere reproductions of existing works, especially the heavy borrowing from Quirino Gasparini.
It offers a unique look at their Italian travels, using original manuscripts and documents.
The online expansion includes rare audio, video, and manuscript access.
"Gasparini’s music, long overshadowed, takes its rightful place in the spotlight, revealing the true depth of his influence on Mozart."
@MozartrazoM
For the first time in modern history, the music of Quirino Gasparini, the composer whose works Mozart famously copied, has been performed. This extraordinary rediscovery is the result of the diligent musicological work of Luca Bianchini and Anna Trombetta, who have painstakingly revised and transcribed these forgotten compositions.
Conducted by Maestro Leonardo Muzii, the concert featured soprano Anastasiia Petrova, who performed arias from Mitridate by both Gasparini and Mozart, alongside Beethoven’s Seventh Symphony. The concert marked a pivotal moment in classical music, as Gasparini’s music returned to the stage, offering a new perspective on the history of 18th-century music.
This event is a must-see for lovers of classical music, revealing the influence that Gasparini had on Mozart and shining a light on a composer whose contributions have long been overshadowed.
You May Also Like
The London Pieces: Mozart or Make-Believe?
The London pieces, edited for modern tastes, lose their authenticity. Only the uncorrected originals show Mozart’s true early voice—naïve yet authentic.
The Myth of the “Viennese Classics”: Mozart’s True Heritage and the Empire’s Agenda
Mozart wasn’t the quintessential Viennese; rather, he was shaped by German heritage and an opportunistic empire that controlled music as fiercely as it did its people.
The Nationalistic Roots of the Philharmonic Legacy
Under Goebbels, the Berliner Philharmoniker became an instrument of Nazi propaganda, framing German composers as the supreme guardians of musical heritage.
Australian Scholars Confirm Our Findings on Mozart’s Forged Catalogue
Professor Martin Jarvis of Darwin University confirmed our long-held findings that Mozart’s personal catalogue is a forgery, during his recent lecture The Mozart Scam. Forensic analysis continues to unravel the myths surrounding Mozart’s legacy.
The Italian Journey
The Mozarts’ Italian journey of 1769 was not a leisurely Grand Tour but a strategic mission driven by ambition, navigating the treacherous roads of 18th-century Europe in pursuit of fame and fortune.
Mozart’s Music or Marketing Strategy?
Despite Köchel’s best intentions, his catalogue of Mozart’s works became a commercial tool, filled with questionable pieces added by publishers keen on profit rather than accuracy.