A Modern Premiere
Quirino Gasparini’s Music Performed for the First Time
For the first time in modern history, Quirino Gasparini’s music has been performed. This concert, featuring arias from Mitridate and Beethoven’s Seventh Symphony, was conducted by Maestro Leonardo Muzii, with soprano Anastasiia Petrova.
Mozart in Italy
This book uncovers how Leopold Mozart ruthlessly controlled his son’s early career, focusing on how Mozart’s operatic successes were mere reproductions of existing works, especially the heavy borrowing from Quirino Gasparini.
It offers a unique look at their Italian travels, using original manuscripts and documents.
The online expansion includes rare audio, video, and manuscript access.
"Gasparini’s music, long overshadowed, takes its rightful place in the spotlight, revealing the true depth of his influence on Mozart."
@MozartrazoM
For the first time in modern history, the music of Quirino Gasparini, the composer whose works Mozart famously copied, has been performed. This extraordinary rediscovery is the result of the diligent musicological work of Luca Bianchini and Anna Trombetta, who have painstakingly revised and transcribed these forgotten compositions.
Conducted by Maestro Leonardo Muzii, the concert featured soprano Anastasiia Petrova, who performed arias from Mitridate by both Gasparini and Mozart, alongside Beethoven’s Seventh Symphony. The concert marked a pivotal moment in classical music, as Gasparini’s music returned to the stage, offering a new perspective on the history of 18th-century music.
This event is a must-see for lovers of classical music, revealing the influence that Gasparini had on Mozart and shining a light on a composer whose contributions have long been overshadowed.
You May Also Like
A Revolutionary Encounter at Cremona Musica
Sharing insights on Mozart and the Neapolitan school at Cremona Musica, the premier global stage for music and culture.
#1 A Man of Cunning
In the end, Leopold Mozart’s life was a testament to survival in a world where his talents were often overshadowed by those of his more gifted contemporaries and his own son. While his “Violinschule” remains a notable contribution to music pedagogy, it is clear that Leopold’s legacy is as much about his ability to navigate the challenges of his time as it is about his musical achievements. His story is one of ambition, adaptation, and the lengths to which one man would go to secure his place in history, even if that place was built on borrowed foundations.
@MozartrazoM
Mozart’s Letters: A Legacy of Disappearances, Edits, and Forgeries
Mozart’s letters reveal missing originals, questionable authorship, and forgeries, adding complexity to his legacy.
The Curious Case of Mozart’s “Lullaby”
Though long credited to Mozart, the lullaby “Schlafe mein Prinzchen, schlaf ein” hides a murky history. Initially published by Nissen, Constanze’s second husband, it has endured as one of Mozart’s supposed works—despite a trail of doubts. In 1798, Constanze herself noted sending “another piece of Mozart’s in place of the lullaby,” raising questions about its origins. By the 20th century, researchers revealed it as the work of lesser-known composers, yet it remains deceptively tied to Mozart, its myth surviving through mere footnotes.
Mozart’s Bassoon Concerto: A Question of Authorship
The Bassoon Concerto K.191 raises more questions than it answers. Long thought to have been composed for a Munich bassoonist, new evidence suggests Mozart had no clear performer in mind. The concerto’s disjointed movements and other dubious compositions attributed to Mozart add further complexity to his legacy
The Contradictions Behind Mozart’s Horn Concerto K.412
The authenticity of Mozart’s Horn Concerto K.412 remains hotly debated, as the work bears numerous contradictions in its manuscript history. The first movement may be original, but what about the rest? The inclusion of Franz Xaver Süssmayr and later editorial meddling raises serious questions about what we are really listening to when we hear this ‘Mozart’ concerto.